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GDS 251 APPLIED PHOTOGRAPHY
Project #1: Art Direction
Instructors: Bonnie Burgund and Paul Young

 

Objective

 

To learn the responsibilities of an art director. To think conceptually about photographic illustration. To collaborate with a photographer to create original images.

 

Secondary objective

 

To create dynamic portfolio pieces with original photography.

 

Description

 

You will be paired with a fellow classmate to work as a team on a photo shoot. As an art director, you will form a collaborative relationship with your photographer/partner. As a team, you will create two original images in the studio.

As the client, you will pay for all expenses (film, processing, prints, props, etc.) but the photographer must have you sign off on any expenditures before the shoot.

As the art director, you may use the images in your portfolio only if you scan them and incorporate them in your layouts as a graphic design sample. If you do so, you must credit the photographer in your layout.

 

Procedure

 

As an art director, you will conceive of two images you want your photographer/ partner to create in the studio. One will involve a model and another will involve a product or still life. Be realistic on what is practical based on the resources at your disposal. You may choose to do two advertising concepts or two editorial concepts (or one of each).

If you choose advertising, select a local business and prepare three thumbnail sketches of different ad concepts for the business. Your ad must contain a headline. If you choose editorial, you must write a one-paragraph summary of the article you want to illustrate, then prepare 3 thumbnail sketches of different editorial concepts for the same article. Present your sketches in class for critique.

Based on the critique, choose the best two concepts and make any necessary adjustments. Make a copy of the sketches for the photographer and discuss the shoot in great detail with your photographer/partner. Be specific about your vision, but allow for input from the photographer. The photographer will obtain the models and props, but you have to sign off on his/her selections.

You are required to be present on the day of the shoot and "sign-off" on the lighting and composition.

After the shoot, you must "sign-off" on the work prints and approve the final print. The photographer will deliver one print of each image to you for your files. You must reimburse the photographer for all expenses incurred during the shoot.

Execute your designs by scanning the prints and finishing the layout based on your sketch. Present color lasers of your final design at your final critique.

 

Schedule

 

See Calendar

 

 

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Last updated: 5/19/02 • Webmaster: Paul Young

 

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